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“The model railroader is the truest creator: engineer, architect, and master of his own timetable,” reads a statement about Josh Dihle’s feverish exhibition, Basement Arrangement.
Armed with hundreds of minuscule objects from coral to LEGO, Dihle concocts dreamlike worlds in which figures become topographies and every cavity houses a surprising detail. Peek inside the cheek of “Moreau/Detrick Reliquary,” and find a wooly mammoth with lustrous stones embedded in its wooden tusks. “Confluence” is similar as carved fish jut out of the foam-and-plaster ground alongside trees and palms with widespread fingers.
Evoking model railroads and dollhouses, Dihle’s sculptural paintings incorporate recognizable objects but with an uncanny, if not skewed, perspective. Stretching nearly five feet tall, the large-scale works hang on the wall and draw a contrast between the overall composition, viewed straight on, and the miniature vignettes best taken in at a 90-degree angle. Step back and see an aerial landscape with hills shaped like lips or a sunken nose, while close-up inspection becomes a dizzying hunt for unlikely items tucked into every crevice.
The exhibition title originates with hermit hobbyists, who seem to come alive when cloistered in worlds of their own making. What appears to outsiders as an escape from reality is, for them, an attempt to organize the chaos and take control, even if in the form of toys and make-believe.
If you’re in Chicago, see Basement Arrangement at Andrew Rafacz through July 18. Find more from Dihle on his website.
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Taking diagrams to a new level, U.K.-based studio collective Dorothy creates prints that celebrate information—charts, maps, alphabets, color wheels, and blueprints. The team has also plunged into the world of cutaway drawings, which are popular for visualizing otherwise opaque, multilayered objects in the manufacturing world.
Cutaway diagrams have actually been around for centuries, with the form originating in the 15th-century notebooks of Italian Renaissance engineer Mariano “Taccola” de Jacopo. Dorothy’s twist on the 3D graphic form, a series titled Inside Information, is a celebration of pop culture and modern technology, from Apple computers and sneakers to boomboxes and theremins.
Each object teems with figures and motifs that have been instrumental in the item’s history and culture, like trailblazing rappers and hip-hop artists who wander stereo box innards in “Inside Information: Boombox” as if it’s a building. The same goes for the Moog, which highlights flashpoints in its development and musical icons like David Byrne and Led Zeppelin who have contributed to its popularity—along with its namesake, of course, Robert Moog.
Prints are available for purchase on Dorothy’s website, and you can follow updates and releases on Instagram.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article ‘Inside Information’ Cutaway Diagrams by Dorothy Dig Into the Makings of Pop Culture Icons appeared first on Colossal.
This is the latest mural by Riccardo Buonafede titled Symbiosis, done in Gozo, Malta, for Art4Sea. The 7 by 4 metre wall is the latest of Riccardo’s works which are characterized by the emphasis on anatomical features of the human being. Ricardo focuses particularly on the lights and shadows that define his shapes, looking for a softness and depth of neoclassical sculpture.
Symbiosis
The work represents a personal reflection on the current relationship between humans and nature and the recent desire for change, which has triggered increasingly targeted research in recent years, with the aim of preserving biodiversity and the environment that surrounds us.
Institute of Tourism https://maps.google.com/maps/place//data=!4m2!3m1!1s0x130e4b3d629877f3:0x84ff5d3d1d51b979?sa=X&ved=1t:8290&hl=it-it&ictx=111
Photos by Riccardo Buonafede
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The Mexican state of Guerrero lies on the southern Pacific coast and is home to the popular tourist destination of Acapulco. It’s also one of the nation’s most violent areas due to drug trafficking and cartel presence, and is one of six states that account for nearly half of the country’s total homicides.
For artist and photographer Yael Martínez, the reality of organized crime became more pronounced when, in 2013, three of his family members disappeared. He began to speak with others in his community who had experienced similar traumas and to connect threads across the borders of Mexico to Honduras, Brazil, and the United States.
Luciérnagas, which translates to fireflies, comes from Martínez’s meditation on this extreme brutality that “infiltrates daily life and transforms the spirit of a place,” a statement says. Now published in a volume by This Book Is True, the poetic series punctures dark, nighttime photographs with minuscule holes. When backlit, the images bear a dazzling constellation of light that distorts the images in which violence isn’t depicted but rather felt.
In one work, for example, a man holding a firework stands in a poppy field, a perforated cloud of smoke enveloping his figure. He’s performing an annual ritual on the sacred hill of La Garza, and the setting exemplifies a poignant contradiction between ancestral cultures and a crop that has been subsumed by capitalism and is essential to cartel power. A statement elaborates:
We don’t see death in Luciérnaga, but its omnipresence is felt throughout, lingering in the shadows of each photograph. Each image painfully underwritten by the result of a calculated violence that visited unseen and undetected, leaving behind the immense void of a vanished loved one. And yet there is always a sense of hope that informs the making of this work.
Luciérnagas is available from This Book Is True. Find more from Martínez on Instagram.
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After the “orca uprising” captivated anti-capitalists around the world in 2023, scientists are intrigued by another form of marine mammal communication.
A study released this month by the SETI Institute and the University of California at Davis dives into a newly documented phenomenon of humpback whales blowing bubble rings while interacting with humans. In contrast to the orcas’ aggressive behavior, researchers say the humpbacks appear to be friendly, relaxed, and even curious.
Bubbles aren’t new to these aquatic giants, which typically release various shapes when corraling prey and courting mates. This study follows 12 distinct incidents involving 11 whales producing 39 rings, most of which have approached boats near Hawaii, the Dominican Republic, Mo’orea, and the U.S. Atlantic coast on their own.
The impact of this research reaches far beyond the oceans, though. Deciphering these non-verbal messages could aid in potential extraterrestrial communication, as they can help to “develop filters that aid in parsing cosmic signals for signs of extraterrestrial life,” a statement says.
“Because of current limitations on technology, an important assumption of the search for extraterrestrial intelligence is that extraterrestrial intelligence and life will be interested in making contact and so target human receivers,” said Dr. Laurance Doyle, a SETI Institute scientist who co-wrote the paper. “This important assumption is certainly supported by the independent evolution of curious behavior in humpback whales.” (via PetaPixel)
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Humpback Whales Are Approaching People to Blow Rings. What Are They Trying to Say? appeared first on Colossal.